Performing at the Peek-a-Boo

Papa Gringo performing at the Peek-a-Boo Hair Salon

I’ve been doing lots of open mics. I did one recently at a Chinatown beauty shop. It’s called the Peek-a-Boo Hair Salon.

It’s very Chinese.

They got glowing red lanterns dangling from the ceiling. A big laughing Buddha with a fat stone belly. Plus, a Great Wall… of two-way mirrors.

(Talk about a captive audience.)

I went up after the Tik Tok Twins, a teenage Taiwanese dance act. I opened with my bit about Pork-Fried Firecrackers.

Nothing! Not a giggle, not a smirk. You could’ve heard an egg drop.

At first, I thought they didn’t understand me. But then one woman started clapping. But she was only drying her nails.

Next, I did my gag about Dim Sum being the name of my neighbor’s idiot kid. I thought I heard a snicker after that. Just a big toe getting clipped.

Then, I got a bit edgy. I did my joke about President Trump and President Xi meeting at a Castro bath house — how they both blew a shot at world peace.

[As Trump]: “Shame, shame, Xi, Xi. Look at what a mess we made!”

That joke made the Buddha blush. The two-way mirrors got hella steamy.

In the end, I did get a standing ovation — from a lady getting up from the hair dryer.

The Tao & the Dangers of Pool

For the past month, I’ve attended several open mics in several different SF bars.

Some bars have pool tables. But I don’t like playing pool. Pool strikes me as racist.

Pool is a game with sixteen balls. And the main ball, the cue ball — the hero of the game — is white.

The white ball is set far away from the colored balls, which makes the white ball very happy,

When the game begins, the colored balls are trapped in a triangular prison. Once the colored balls are released, once they’re free, the white ball attacks.

 It fires a shot, and the colored balls scatter.

Altogether, there are fifteen colored balls. But the white ball’s nemesis is the evil eight ball, the tall strapping black ball.

Q: How does this racist game end?

A: When the white ball, the hero ball, sinks the black ball in one of six pockets.

That’s literally white supremacy.

However, if the white ball sinks into a pocket, that’s a scratch. The white ball loses. That’s affirmative action — at least, according to the colored balls.

It’s easy for the colored balls to call the white ball racist. The white ball’s outnumbered 15-to-1.

When the colored balls call the white ball racist, that’s called projection. Colored balls are racist, too — just racist toward each other.

The first three colored balls are all solids — yellow, blue and red. Those are primary colors. They are pure. They are proud. And they are proud of their purity.

But as they stand shoulder to shoulder, secretly sneering at one another, they collectively scorn the secondary colors: solid purple, orange and green.

Secondary colors are not pure. They are, let’s be honest, the embarrassing offspring of two primary parents. Those primary parents are not proud.

Still, all six solids can put aside their prejudice and find family fellowship as they all, together, despise the seven ball.

Officially, the seven ball is maroon or burgundy. But let’s face it: It’s solid brown. All the colors are ashamed of brown. Brown is the untold secret.

But one day, soon, all the balls will be brown.

Until that time, the brown ball is welcomed by its six solid cousins for a holiday tradition of hating the stripes.

Q: And why do the solids hate the stripes?

A: Because the stripes are all half white.

Bottom line:  Racism isn’t a circle of hate. It’s sixteen balls on a green felt table.

That’s why I throw darts.

The Tao & the Art of Bombing

Well, I gave it a shot.

I heard about a Thursday-night comedy open mic at a bar on Dolores Street not far from my house. I walked down earlier this evening to check it out.

I arrived just as the show was about to begin, There were only a few folks sitting at the bar, plus a few others shooting pool in a nook toward the rear. Everyone had their backs to the small stage and microphone stand.

By the front door, a half dozen nervous comics were sitting around as if waiting for the results of a blood test.

Brady, the evening’s MC, took the mic off the stand and said hello to everyone. No one turned to look at him, just the nervous comics.

When the first guy got up, despite no one paying attention, he launched into his set, but it was hard to hear. I tried to keep my focus on him, and I laughed when he presented each premise, but I couldn’t quite catch his punch lines. The next comic was equally hard to hear.

Finally, this one comic got up, one with questionable pronouns. They did great! I could hear them perfectly. Clearly, they’d had some prior public-speaking training. Though they were reading off notes on their phone — something I’ve been told to avoid — I really did enjoy their energy.

Then the MC called my name.

All day, I’d been rehearsing this bit I’d written about the Ohlone Indians. Soon as I got up to the mic, I knew that no one would listen. So I decided to simply practice reciting my memorized lines at the microphone. I did get one laugh from one of the other comics. Mosly, I got nothing. Two-and-half minutes passed like two-and-a-half hours.

All in all, I’d say it was a bomb — the whole show! But bombing can be a blessing.

Everyone busts their cherry some time, and now I’ve busted mine. It was good to get a chance to practice speaking while holding the mic. Good to get a chance to keep addressing different parts of the room. Good to lose my place at one point and then recover from an awkward pause. No one was listening, so none of it mattered.

After the last comic performed, the MC thanked the patrons in the bar — none of whom seemed remotely aware that comics had been performing.

How surreal!

Still, afterward, I got to know a few of the comics, most of whom were heading out to another open mic at another club. They invited me along, but I was wrecked after busting my cherry, so I walked back home while they caught the bus up to Market Street.

Even though the event was a bomb, I’m grateful to have gotten a chance to practice — and to meet some other comics and exchange our contact info. I look forward to seeing them again and joining them on the open-mic circuit all over San Francisco.

How About You?

When was the last time you tried something new, only to discover it may be more challenging that you thought? Let me know in the comments.

Ladies & Gentlemen… Papa Gringo!!!

Now that Saturn’s gone direct, it’s time to move forward with the stand-up comedy classes, which start tomorrow night in the heart of San Francisco’s legendary North Beach.

For the past several weeks, I’ve been jotting down ideas on a yellow legal pad, sketching out jokes and bits for introducing Papa Gringo to an imaginary crowd.

Here’s one possible opening. Please let me know what you think.

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Hi, I’m Papa Gringo.

Yes, that’s a fake name.

The name Donald Trump has got to be a fake name.

If not, that’s child abuse.

Trump, alone, sounds frumpy and dumpy.

Then you add Donald Duck.

No wonder he’s a quack.

Take the name Ronald Reagan.

As an actor, that was the president’s stage name.

His real name was… Ronald Reagan

In his case, the name was real but the man was fake.

And why are the Republicans’ two biggest presidents named Ronald and Donald?

Ronald McDonald is a fake name.

The point is, with a fake name, you can be the real you.

So, here are some real truths about the real me….

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What Do You Think?

Should I give up my day job? Ideally, I need a few good laughs in the first thirty second. Let me know if you got any ideas.

The Tao of Trusting the Tao

Papa Gringo Performing Stand Up Comedy

Last summer, the Tao kicked my butt, reminding me that retirement’s coming soon, that I should start thinking about life post-teaching. One idea was to start this blog. I liked that idea. I still like that idea.

But now I’m getting kicked in the butt again.

Earlier this month, while replacing a burnt-out bulb in the kitchen, something sparked in my mind. I suddenly thought of pursuing stand-up comedy.

Thirty-five years ago, back in L.A., I had taken some stand-up comedy classes. I did a few open mics. I had a couple good shows.  But I never took it beyond that.

I didn’t like the late-night hours or the waiting around for my two-minute turn.  Instead, I went to grad school, got myself a masters, moved to the Bay, then started a career teaching college writing. 

The teaching path has served me well.  I’ve been blessed to have served as a Bodhisattva for so very many students. Standing at the front of all those classes even allowed me the chance to dabble around with standup skills.

However, even today, the thought of attending late-night open mics, of waiting around for a sixty-second spotlight, just doesn’t sound appealing.  Still, I’d like to start a regular joke-writing practice.  I recently got a couple books and found some writing tips online.  

Writing jokes could be fun.  Like solving crossword puzzles, it can keep my mushy mind sharp.  And I can start an Instagram page and a YouTube channel, both featuring brief video clips of me reciting one-liners or extended little bits.

Writing bits and putting them online is something I could do from anywhere — not only here in San Francisco, but also down south by the Rio de la Plata or up in the hills of Guanajuato.  

To be honest, the thought makes me feel a little nervous. I’m afraid I won’t have the talent to write or create consistent funny material. I’m afraid my videos will suck. But even if they do, so what?

It’s fun to try and go with the flow, especially when the Tao is running like a wild summer stream.

What About You?

Have you got any crazy dreams you might be afraid to pursue? Let me know in the comments. I could use a little empathy.